Friday, 10 January 2014 00:00

Towards a Contemporary Mythology - "The Huffington Post"

Adam Miller: Towards a Contemporary Mythology - huffingtonpost.com Adam Miller: Towards a Contemporary Mythology - huffingtonpost.com

John Seed

Professor of Art and Art History, Mt. San Jacinto College

Adam Miller has taken on a very ambitious task for himself: the creation of mythological and allegorical scenes that pose human figures in invented settings. The first phase of his career after art school -- painting large scale murals often inspired by Tiepolo -- came to an end after he realized that most of his clients simply wanted decorative backdrops.

In his current easel paintings Miller has demonstrated an ambitious desire to re-visit and re-examinine mythological archetypes as they cope with challenging and contemporary situations. Miller has just turned 34 and his precocious transcendence of the norms of classical realism makes him an exciting and dynamic figure worth watching.

I recently interviewed Adam Miller and asked him about his work and his values.   

 

Adam Miller

John Seed Interviews Adam Miller

When did you first know that you were an artist?

I always drew and was lucky to have plenty of art materials around. My parents were involved in theater and my mother also painted murals so it seemed very natural to spend time creating and drawing. At first I was convinced I would be a comic artist, illustrator and writer. I would practice perspective, anatomy, and write stories.

At around 14 I discovered Michelangelo, Titian, Raphael and later Diego Rivera and Jose Maria Sert. I saw that they were using all of the same pictorial tools and devices I was interested in from comics but in a large simple language. They did not speak about individuals as contemporary fine artists tended to do but about the classical idea of the individual in the context of society. They were more interested in elucidating character through action in relation to other people who would react. As someone interested in writing and narrative this made sense to me as a way to build a pictorial language capable of expressing more than just a mood Which is what most modern figure painting seemed to be trying to do.......

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